FUORISALONE
AGAPE,
Freestanding washbasin, Immersion, 2018 – Neri & Hu
Born in Veneto not far from Venice Chiara Andreatti moved to Milan where she graduated in Industrial Design at IED in 2003 and attended a master at Domus Academy.She collaborated with designers studios such as Raffaella Mangiarotti, Renato Montagner and since 2006, she works with studio Lissoni Associati (MI), following through, parallel freelance projects and working with companies like Atipico, Glas Italia, Non Sans Raison, CCtapis, Covo, Reflex, Casamilano and Armani Jeans.
With a continuous research for aesthetics she often combines the artisan culture of her venetian roots with the design and industrial needs believing that an handcrafted and poetic touch on everyday objects will enrich our life.
Twinkle coffee table
for Glas Italia
Ispired by Bohemian glass, the collection Twinkle recalls the traditional skillful glass grinding. Two hollows volumes, rhombus and triangle, blend whith ground drawings under the top, revealing the manifacturing richness.
EXHIBITIONS | SET UP with Piero Lissoni London – 2016
La Rinascente – 2016 – Milano
Studio Elisa Ossino, Boffi Kitchenology. ph Tommaso Sartori
Giardino all’Italiana
2017 — Fornace Brioni
Flooring and wall covering collection
Traditional, variegated and glazed cotto
Coffee Table “The Happy Room”
2016 — FENDI
Coffee table collection: brushed brass, inlaid marble
Jardiniere “The Happy Room”
2016 — FENDI
Flower box in brushed brass and folded metal sheet
Today, pink is a usual suspect in gender stereotypes, as it’s often thought of as a “girly” colour. However, this was not always the prevailing belief. In fact, up until the 1930s, the pale red was thought of as a colour for boys: The bright red was a powerful colour usually associated with men, why the lighter version, pink, was used for the smaller men: The boys.
The colour pink origins in the ancient Greece, and as early as the famous works of Homer, the colour is described. It, naturally, has a place in art history, used to create the colour of white people’s skin, by mixing natural colour pigments of red and white to achieve the light tone. But when the artificial dyes were invented, the colour pink was on the rise. 1931 the Italian design Elsa Schiaparelli made it famous by inventing the variety “Shocking Pink”, the colour we today know as magenta. Pink found its place on the runway and the stars in musicals and has ever since been associated with feminity. And so the colour got its new association as the colour for girls, even though it used to be the opposite.
via FERM LIVING
Unfold Room Divider / Ferm Living new collection
The legend of the Testa di Moro (Head of the Moor) dates back to the 11th century when the Moors dominated Sicily. The story goes like this:
In the heart of the Kalsa, the Arab quarter of Palermo, lived a young Sicilian girl. She was very beautiful with long black hair and blue eyes like the Mediterranean Sea. She spent all of her days gardening. She had lots of flowers and exotic plants and she used to display them on the balcony. One day, a young Moorish merchant was walking down the street when he noticed her beautiful garden. He waited to see the owner of such beautiful flowers, and once he saw the girl, he fell in love with such beauty. After having declared to her his sincere love he started to pass in front of the girl’s window every day until she fell in love with him as well. But one day the Moor told her that he had to return to his country where his wife and children were waiting for him.
The young girl, with her heart broken and her honor lost, decided to plan her revenge. Before his leaving she convinced him to spend one last night of passion together, which of course he agreed to. Once he fell asleep, she beheaded him. What could she do with his head? She decided to use it as a vase for her lovely flowered balcony so that her lover would stay with her forever. She planted it with basil, which grew lushly, and the envious neighbors commissioned terracotta vases shaped with the head of a Moor.
Text from mynameispalermo.com
Nanan French Patisserie In Wroclaw, Poland
Fotografo: PION Basia Kuligowska and Przemysław Nieciecki
Ladurée
lieu : quai des bergues, genève
date : 2016
client : ladurée
“un jardin de douceurs qui célèbre la rencontre du bosquet français et de la gourmandise”
photos © annik wetter
Architect Daniela Colli
VyTa Santa Margherita
Florence
Photography by Matteo Piazza
Ladurée
lieu : quai des bergues, genève
date : 2016
client : ladurée
“un jardin de douceurs qui célèbre la rencontre du bosquet français et de la gourmandise”
photos © annik wetter
Ladurée
lieu : north beverly drive, los angeles
date : 2017
client : ladurée
marie-antoinette fait un stop à hollywood, dans un jardin pop à la française
photos © sam frost
photos © trevor tondro
jardins Albert Kahn
Paris
Jennifer Ash Rudick
Palm Beach Chic
Poltona Klara
by Patricia Urquiola per Moroso, 2010
Schiena in paglia di Vienna
Rue Voltaire, Appartamento di 103m² Parigi, 2012.
Gregoire De Lafforest
Studio Nine / Melbourne; Hecker Guthrie
GamFratesi
Allegory Desk, 2015Single Curve Stool,NENDO ,2015Targa Sofa, 2015
Styling by Susanna Vento | Photography
Bodystuhl
by Nigel Coates
Restaurant – La Forêt noire – Lyon – Décoration Claude Cartier Studio –
Foto Guillaume Grasset
Acne Studios, Concept & Design Direction Johannes Svartholm
Furniture design by Max Lamb, Stoccolma
Immagini Christian Hallerod Design
Normann Copenhagen headquarters , Design by Hans Hornemann
Repossi Flagship Store, Parigi
Immagini Cyrille Weiner